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Dickens Christmas Fair 2007 October Missive #7 - Costumes
(sent October 31st, 2007)
Happy Halloween!
It's a good day for a costume missive, so here's some great information
from Liz Martin. As always, if you have questions, please respond to
those mentioned below rather than replying to me. Thanks, Cat
In This Missive
Introduction
Tentative Costume Approval Schedule
Costume Guidelines
Fabric and Pattern Selection
Make-Up
Morning Checklist
Emergencies
So you still need a costume . . .
Recommended Costumers
Online Costume Stores
Approved Patterns
Rate The Patterns
Online Questions & Discussions
Summary
Introduction
Hello everyone. My name is Liz Martin and I will be the costume
director for the 2007 Dickens Fair. Assisting me will be Alexandria
Volk and Juliana Bradley, plus several “surprise” guest costumers! I am
thrilled to be working with all of you in this capacity. Please
have patience with me as this is my first year and I am still
figuring out what all goes into this position!
I have heard through the grapevine that the position of costume
director for Dickens is difficult and challenging, as well as one to be
feared by those that are non-costumers. I am hoping that
all of you will assist me in making this as unstressed and
drama-free as possible. How can you do this? By following
the costume guidelines!
There is no reason to be afraid of us – unless you are NOT
following the costume guidelines. Even then, I would prefer that
you not find us frightening, but merely firm in carrying out our duty
and commitment to the overall look of the show.
Dickens Fair is a unique theatrical animal. We are a collection
of volunteer performers who are attempting to recreate and
populate the London that Mr. Charles Dickens created in his
works. If this is your first year, you will find it to truly be an
ensemble cast effort. And yes, what you wear really matters. The
costumes are the biggest part of the scenery – what you are wearing is
what will set the time period in the eye of our customers.
My job, as I see it, is to keep the continuity of the production
flowing and to make sure that there is an even and homogenized look to
the fair.
So how does this translate to you, the performer?
1) There is a dress code and a time line.
2) We are going for the rule – NOT the exception
3) We want you to be comfortable in your costume
4) Yes, you have to conform!
5) Have fun!
6) There is NO CROSS DRESSING
(the one exception is Jeremy, who has worked for many years to perfect
his costume, character and make-up. Some departments may have one or
two women dressed in pants for safety reasons)
Costume Approval: All participants in the fair (cast members,
employees, volunteers, door mice, helper cats) must receive costume
approval before receiving their pass. To reiterate: registration
forms must be stamped with costume approval in order to receive a gate
pass.
Tentative Costume Approval Schedule
We, Liz Martin and her associates, will be available the first
Saturday of workshops immediately following the morning meeting (but
possibly with a slight delay for a bathroom break) for approvals and
questions, until 1:15 and then from 2:45 until 5:00pm.
On Sunday the schedule will be from 10:15 to 1:15 and then from 2:45 to
5:00pm.
The second weekend schedule is still uncertain so for now is TBA.
Approval will also take place during Dress Rehearsal Weekend at the Cow
Palace. Times will be decided and posted later for that weekend.
Costume Guidelines
Everyone at the fair must wear clothing that would lead the
casual observer to believe that you just stepped out of London from the
period between the years 1844 and1860.
How we achieve this is by keeping to a certain silhouette for both the
women and the men.
NOTE: These are very generalized. This is intended to give you a quick
OVERVIEW of what we are looking for. There are of course class
differences and character traits that will cause there to be differing
clothing items. For a more in-depth version of this – please feel free
to come to the costume classes at workshops or visit the website at
www.dickensfair.com/costumeguide.htm
If you have any questions after reading the info on the Dickens
website,
please feel free to contact us at
costumes@redbarnproductions.org
or
dickenscostumes@gmail.com
Women:
Colors – jewel tones, NO BLACK (unless Mr. Dickens wrote you in
black). Plaids are wonderful, again in the darker jewel tones,
& patterned cotton fabrics are also acceptable, (please let me see
the swatch BEFORE you start sewing!) Hoops or petticoats, long
sleeves, a relatively high neckline, some sort of outerwear, gloves and
a bonnet or hat will complete your basic Dickens outfit quite nicely.
NO BUSTLES, please, they are not appropriate to our time period.
Men:
Pants- high-waisted is preferred, wool, either plaid, striped or plain
Vest/waistcoat - can be collared or not but should not have points in
the front and does not, generally, match either the pants or the
jacket,
Jacket – does not always have to match the pants, in the case of a sack
suit all three pieces would match.
Shirt – for laborers can be striped or colored, clerks and upper class
(A Gentleman) would wear white, add a cravat.
With the addition of outwear: gloves, scarf, and a HAT – again
the ensemble is completed.
Fabric and Pattern Selection
Remember, the years that the Dickens Fair covers are 1844 -
1860, so jewel colors and deep, rich tones are good, and no
fluorescent, overwhelming pastels, or teal colors. Plaids and stripes
are great, but do not to use lightweight fabrics like madras or
seersucker. Feel free to send scanned swatches of fabric, sketches, or
snaps of out-of-print patterns for approval or advice. If you have
construction questions, those are welcome as well.
There is a list of acceptable patterns and some notes on them later in
this email
Make-Up
Women in the 19th century liked to be thought of as fragile
ladies. They aimed always to look pale which was achieved by staying
inside and out of the harsh sun. Rouge was rarely used and lipstick
unheard of, make-up in general was frowned upon. Actresses or “those
women down at the docks” used make up such as powder and
lipstick but a lady would only admit to pinching her cheeks for a flush
of natural glow. Women in the upper classes would even paint small blue
lines on themselves to look even more translucent while wearing the low
cut ball gown.
That said…
Please use makeup. The Dickens fair is aglow with unnatural lighting to
emulate perpetual twilight. That makes many people look blank or
like they are eyebrow-less. I suggest using makeup a shade darker than
your natural color at your most healthy looking. If you are blonde you
may want to use an eyebrow pencil to darken your brows. If you are
stage, please use appropriate stage makeup. Consult with your director
at dress rehearsal to find the best fit for you. If you are middle
class (most of London) please still attempt to look “natural ” with
your makeup.
Morning Checklist
Please, do develop a morning checklist and go over it each day
before you leave your home. We love you and want you to look beautiful
(or handsome as the case may be) but please remember that poor planning
on your part does not constitute an emergency on our part.
Emergencies
Of course if there is a rip or tear during the day we will be
more than happy to lend a hand – or needle- to put you back in one
piece. I strongly encourage both men and women to have duplicates for
those items worn closest to the skin (shirts/blouses, chemises,
drawers/bloomers) as well as an extra pair of socks. That way you can
make it through the weekend without taking anything home.
So you still need a costume . . .
There will be various vendors selling costumes at
workshops. There is a good chance that you will be able to put
together an entire ensemble. If you have any question on whether or not
your choice might not pass costume approval – just bring it over to me!
I know that Lynn Combs will have men’s clothing – you can generally
purchase an entire man’s outfit for around $200. (This is just an
estimate - prices may have gone up from last year)!
Recommended Costumers
These talented costumers have been tested and are costumers who
have continually built passable or more than passable costumes for our
fair. Please be aware that all costumers set their own rate and any
business you conduct together is not affiliated with the fair. ~ Liz
Alexandria Volk
BlackSwanX@gmail.com
I do individual consultations and patterning and construction help on a
case-by-case basis, sliding scale charged. I also make custom costumes
and do custom refitting and repairs –though these services cost more.
Cherie Moore
cherie@wintermooncostumes.net
A multiple award-winning costumer is now accepting a very limited
amount of commissions for this year's Dickens Fair. Novato area
Rachel Tibbetts
rtibbett@yahoo.com
Based in the East Bay, but some travel may be possible.
Carol Wood
kerolkid@gmail.com
Experienced costumer, ladies and men’s, millinery as well
Hannah Phillips-Ryan
hjvelvet@hotmail.com
If you would like to be considered for the recommended costumer
list, please e-mail the costume shop at:
costumes@redbarnproductions.org
or
dickenscostumes@gmail.com
Contact us for specifications.
Online Costume Stores
I am working on compiling a list of acceptable websites where
one can purchase approved Dickens clothing. IF you have ordered
from a website, had a good experience AND passed costume approval –
please email me the website and any other info you feel is pertinent.
Approved Patterns
I have looked at all of the following patterns and given my
okay on them. I have, however, NOT made all of them!
Juliana Bradley can vouch for quite a few as well as can Alexandria.
Which is the best? As far as the “Big 3” are concerned, I tend to
prefer Simplicity to either Butterick or McCall’s.
Past Patterns, Laughing Moon, and Truly Victorian are wonderful pattern
companies. Yes they are more expensive, but they are worth every penny!
Here are the currently available patterns that pass muster…
Simplicity
Ladies
3727 Blue plaid jacket & skirt
3791 White with black piping
3855 Red plaid jacket & shirt
4400 Red plaid civil war day dress
4510 Burgundy day dress with flounced hem
4551 Yellow day dress
4900 Winter white jacket & skirt
5726 Chemise, corset & petticoat
7212 Pink plaid dress
7215 Chemise and corset
9761 Grey striped jacket & 3-tiered skirt
9764 Hoops
9769 Corset, chemise & Drawers
Men’s
5023 Men's Shirt and Trouser
5033 Mid 19th Century Underwear
5035 19th Century Shirt and Trousers
5037 Mid 19th Century Vest, Braces
(Suspenders), and Cap
Discontinued (patterns still available through the website or on eBay)
4737 Girls dress and drawers
5442 Women’s summer day dress
McCall’s
Ladies
5129 Bonnet
5132 Jackets & 2-tiered skirt
4698 Cape
3609 Camisole, pantaloons, corset, & hoops
5131 Girls dress & drawers
Men’s
3721 (coat needs to be 6"-8" shorter)
4745 (men's uniform pattern... not bad....)
Discontinued (patterns still available through the website or on eBay)
4890 Men’s vest - straight bottomed only
Butterick
Ladies
3992 Easy dress
4210 Hats – view A & B
4254 19th century corsets
4761 Blouse, skirt & apron Note on apron: over
the shoulder straps were not worn at this time – instead, pin the bib
to your blouse
Men’s
3648 Double breasted jacket and pants
3721 Vest and cutaway jacket
4825 Working man's shirt
Discontinued (patterns still available through the website or on eBay)
4540 Striped dress with front
3993 Man’s caped coat ala Sherlock Holmes
Past Patterns
http://www.pastpatterns.com/1850.html
Women’s
700 1850-1862 Fashionable Skirt
701 1850-1867 Gathered and Fitted Bodices
702 1850s-1863 Dart Fitted Bodices
706 1850s-1860s Drawers.
707 Two Chemises 1850-1870
708 1840's - 1880's Corset
709 1850s-Late 1860s Garibaldi Shirt
800 1840- 1850 Flounced or Single Skirt
801 1840- 1850 Fan Front Bodice.
803 1840s to Early 1850s Round Dress
Men’s
006 1800-1890s Men's Drawers
007 Two Mid-Nineteenth Century Shirts
710 Trowsers 1851-1867 (different sizes)
713 Trowsers 1851-1867 (different sizes)
Folkwear
http://www.folkwear.com/romantic.html
PF0222 Vintage Vests
Truly Victorian
http://trulyvictorian.netfirms.com/
TV141 Cage Crinoline
TV240 1860's Ball Gown Skirt
TV243 1843 Tablier Skirt
TV244 1859 Double skirt
TV246 1851 Petal Ballgown skirt
TV440 1859 Pagoda Bodice
TV441 1861 Garibaldi Blouse
TV443 1860-61 dress bodices
TV456 1856 Gathered dress
Laughing Moon
http://www.lafnmoon.com/
Women’s
#100 Ladies’ Victorian Underwear - 2
Corsets, chemise, and drawers
Supplement
tissue pattern available for the View A Dore corset that takes
the sizes from size 26 to 40
#111 Ladies Early 1860's Day Dress
#114 Ladies' Round Dresses
1840’s-1852
Men’s
#106 California Pants
#107 Men’s Victorian & Edwardian Shirt
(1845-1920)
#109 Men’s Frock Coats & Two Vests (1850 -
1915)
REVISED: Now Includes Single Breasted version
Rate The Patterns
If you have personally built a costume from any of these
patterns we would love to hear about it! Please send us your review,
including your name & experience level. Please rate it, on a
scale of 1 – 5, 5 being the most difficult. Feel free to include a
picture or two if you have them. The reviews will be posted to
tribe in
"What to wear to Dickens Fair"
http://faireapprovablecostume.tribe.net/
Online Questions & Discussions
Speaking of Tribe, there are several areas on Tribe.net that
are dedicated to Dickens Fair. “What to Wear to the Dickens Fair”
is one of them. I do my best to visit all of the related sites on a
regular basis to monitor questions regarding what is approvable.
If you have any questions – please contact myself, or Alexandria at
dickenscostumes@gmail.com
I can also be contacted through Tribe with costuming questions –
however there may be a slight delay if you send the questions that way
as opposed to personal email.
Summary
This missive is not meant to be the end all in costuming
information, it’s just the costume department’s way of touching base
with all of you and letting you know what our expectations will be come
Saturday.
I look forward to working with each and every one of you.
See you in London!
Liz Martin
costumes@redbarnproductions.org
or
dickenscostumes@gmail.com
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