Sent 10/19/09
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The Great Dickens Christmas Fair Missive
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Dickens Christmas Fair 2009 Costume Missive
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Notes from your Missive Maven:
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It's the Great Costume Missive! Lots of very helpful tips and resources. Workshop and approval times will be included in the forthcoming workshop missive.

Please remember to contact Liz at costumes@redbarnproductions.org with any costuming questions, rather than hitting "reply".  Thanks.

Past missives can be viewed at http://www.cattaylor.com/missives.html

Cat Taylor
Entertainment Director and Missive Maven

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Special Note: New Logos on Missive Site!
The new DCF logos are on the missive site, please save, size and post wherever you post Dickens Fair news and announcements.

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In This Missive
Welcome Back to London!
Costume Approval
What We Look For
Costume Guidelines
Make-Up
So You still need a costume...
Online Suppliers
Fabric and Pattern Selection
Costume Items for Sale at Workshops
Summary
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Welcome Back to London!
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(from Liz Martin)

I was feeling that I was late with this years' costume missive however, on checking the date from last year - I am actually early!!

Last year you all looked MARVELOUS!! Ready to do it again?? I can't wait to see what will be worn in London this season.

For those of you who don't know me, I am Liz Martin, your costume director. It's my privilege to facilitate the fashions of London.  To do that the costume department asks that our participants wear clothing that would lead the casual observer to believe that they have just stepped back in time to a Christmas Eve in London somewhere between the years 1842-1863.

Alexandria Volk will be returning as the Costume Shop manager. We will have several other helpers and interns who look forward to meeting all of you throughout the run of Dickens fair.
 
Dickens Fair is a unique theatrical animal. We are a collection of volunteer performers who are attempting to recreate and populate the London that Mr. Charles Dickens created in his works. If this is your first year, you will find it to truly be an ensemble cast effort. And yes, what you wear really matters. The costumes are the biggest part of the scenery - your clothing is what will set the time period and the feel of the show to our customers.
Please make sure that you are always fully dressed in costume whenever you are in the public view.
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Costume Approval
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All participants in the fair (cast members, employees, volunteers, door mice, helper cats) must receive costume approval prior to opening (or before receiving their pass): registration forms must be stamped with costume approval in order to receive a gate pass.

If you are a new member of our cast this year please do not come through costume approval before you have taken the costuming overview class.

Should you have multiple costumes please be prepared to show us all of them - on your body!
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What We Look For
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Silhouette and color
For women:  For woman: do you have the bell shape look to your skirts? Do your skirts flow freely over your hoop or crinoline? Is the color and type of fabric correct? Are your shoes right? (Please keep the heels to no more than 2". The Cow Palace is a cement floor and you will have sore body parts by the end of the day.)

Remember we are a daytime show. This means that ball gowns are not acceptable.

For men: are your pants high enough? ie. where does the waistband sit? Are you wearing suspenders? Are the belt loops removed from your pants? Does the waistcoat/vest overlap the top of your pants? Is your shirt collar correct? Do you have a cravat? What kind of shoes are you wearing? Do you have on dark socks?
 
Yes, parts is parts
Do you have all of your costume pieces: outer wear as well? Hat, bonnet, shawl both men and women, neck scarf (different than a cravat), gloves? What jewelry will you be wearing? Does your character wear an apron or day cap when indoors?  By all means, bring that!
Fit
Part of the approval process is to not only see that the colors and styles that you have chosen are correct but also look at the overall fit of your costume. Therefore do not be surprised if you go away with suggestions and a few safety pins in your outfit!
 
Pizzazz!
Add some Victorian bling - and I don't necessarily mean glitz. The Victorian women loved to add décor to their clothing: ribbons, fabric roses, trim - and this can be done at any class level.  Just remember what your characters financial means might have been and go from there. And no, having a "wealthy patron" will not automatically get you the ability to wear a lot of expensive floof on your dress!
For the men - add a watch chain and hang a fob from it. A sprig of holly in your hatband allows even the most serious of our London denizens to acknowledge the season.  Let your waistcoats be colorful - it is Christmas you know!
 
My goal for this year is to make approvals as stress-free as possible and to work with all of you to create the most beautifully populated London our customers have ever seen. 
 
So how does this translate to you, the performer?
1)      There is a dress code and a time line.
2)      We are going for the rule - NOT the exception
3)      We want you to look good and be comfortable in your costume
4)      Yes, you want to make the costume department's life as stress-free as possible!
5)      Have fun!
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Costume Guidelines
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NOTE: These are very generalized. This is intended to give you a quick OVERVIEW of what we are looking for. There are, of course, class differences and character traits that will cause there to be differing clothing items. For a more in-depth version of this - please feel free to come to the costume classes at workshops or visit the website at
 
http://dickensfair.com/costumeguide.htm
 
Women:
Corsets: highly suggested - mid 19th century styles, over the bust
Hoops or Crinolines: the circumference of your hoop should be no more that 95" - 110". With the streets of London being so populated these days hoops that are any larger are becoming dangerous!
Dress: Fabric in both the bodice and skirt match, long sleeves or mid-arm length with white undersleeves, no zippers
Skirt , jacket and blouse: Full bell shaped skirt, the Zouave jacket was popular at the time (black, red, blue green) and was worn with a white collarless or peter pan collar, front buttoning blouse.
Colors - jewel tones, NO BLACK (unless Mr. Dickens wrote you in black). Plaids are wonderful, again in the darker jewel tones, & patterned cotton fabrics are also acceptable - (Please let me see the swatch BEFORE you start sewing!) Adding a petticoat over your hoops will keep you from committing that dreaded fashion faux pas of hoop lines showing!

NO BUSTLES.

Indoor headwear: This past season saw an explosion in the dainty and attractive head coverings known as days caps. Made of lace and adorned with all sorts of ribbons and bows they are the ideal item to cover your hair while indoors. An extra bonus is that they fit nicely under your bonnet - no need to remove them when you sally forth on the streets of London.
Outerwear: A cape or shawl works nicely to show that you are outside, and along with gloves and a bonnet or hat you will be right in the height of London fashion. Please - no top hats on women - of ANY size.
What is the deal with bonnets anyway? Bonnets are one of the quickest ways to convey that we are in fact portraying another time and place to the patrons. They are the preferred headwear of London this season.

Men:
Pants: high-waisted is preferred, wool, either plaid or plain, suspenders - no belt. In fact - removal of your belt loops will make us very happy!
Vest/waistcoat: collared or not, no points in the front (straight across), single or double breasted, does not generally match either the pants or the jacket - plaids, brocades & stripes are wonderful. There should be no shirt showing between the bottom of the vest and your pants!
Jacket: does not always have to match the pants, in the case of a sack suit all 3 pieces would match,
Shirt: for laborers it can be striped or colored, clerks and those in the upper class (or wishing to appear that way) would wear white, either collarless or with a high standing collar, (for middle class and above add a cravat).
Outer wear: Capes, overcoats and shawls are perfect for men - add: gloves, scarf, and a hat.
Hat: Men usually wore some kind of head covering when out-of-doors. The top hat was the style favored by gentlemen; the derby hat or cloth cap was favored by the lower classes.
 
Advice:
Please, do develop a morning checklist and go over it each day before you leave your home. We love you and want you to look beautiful (or handsome as the case may be) but please remember that poor planning on your part does not constitute an emergency on our part.
Of course if there is a rip or tear during the day we will be more than happy to lend a hand - or needle- to put you back in one piece.

I strongly encourage both men and women to have duplicates for those items worn closest to the skin (shirts/blouses, chemises, drawers/bloomers) as well as an extra pair of socks. That way you can make it through the weekend with out taking anything home to wash.

Women, always remember this simple rule - Shoes first then corset!
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Make-Up
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Women in the 19th century liked to be thought of as fragile ladies. They aimed always to look pale which was achieved by staying inside and out of the harsh sun. Rouge was rarely used and lipstick unheard of, make-up in general was frowned upon in. Actresses or "those women down at Sal's"  used make up such as powder and lipstick but a lady would only admit to pinching her cheeks for a flush of natural glow.
 
That said...
 
Both men and women - Please use makeup. Naturally. The Dickens Fair is aglow with unnatural lighting to emulate perpetual twilight.  This makes many people look sallow or can wash out your features. Foundation, a little mascara, a touch of natural color on the cheeks and lips and a light application of eyebrow pencil will go a long way in making you look better in the streets. The mineral make-up that goes on like a powder is wonderful and very natural looking. Do remember, with any foundation, to touch up your make-up mid way thru the day. If you are on stage, please use appropriate stage makeup. Consult with your Director at dress rehearsal to find the best look for you.
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So you still need a costume . . .
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There will be various vendors selling costumes at workshops (see item at the bottom of this missive).  There is a good chance that you will be able to put together an entire ensemble. If you have any question on whether or not your choice might not pass costume approval - just bring it over to me!
 
If you are looking for a custom made outfit in time for Dickens - email me directly and I will put you in touch with someone.
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Online Suppliers
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I am working on compiling a list of acceptable websites where one can purchase approved Dickens clothing.  IF you have ordered from a website, had a good experience AND passed costume approval - please email me the website and any other info you feel is pertinent.
Here is what I have gathered so far.
 
Sac City Dry Goods - Joann Peterson
http://www.saccitydrygoods.com
Tell her you are with DCF - if anything you are ordering is questionable she will let you know. She also carries shoes.
 
Confederate Family Fashions
http://www.confederatefamilyfashions.com
Excellent prices - great for 1st time Dickens women. Good for working class or servants - make sure you order colors that are winter as opposed to spring/summer.
Good price on Aprons and plain Garibaldi blouses.
Great turn around - I ordered from them last year and got my dress in about 2 days.
 
Cumberland River Sutlery
http://shop.vendio.com/victorianattire/category/100078/
I have not ordered from this site - they look good and the prices are reasonable and they have a good selection of sizes. Go with the day dresses not ball gowns.
 
Gentleman's Emporium
Men's stuff is good but most of the women's is too late for our period.
However - Lynn Combs sell pretty much the same stuff - she'll be at workshops!

Frocks, sack coats and Victorian formal tail coat
http://www.gentlemansemporium.com/store/coats.php?from=leftnav

Vests
http://www.gentlemansemporium.com/store/vests.php?from=leftnav
Any of the flat or straight fronted vests

Shirts
http://www.gentlemansemporium.com/store/shirts.php?from=leftnav
Their shirts are good - Stay with the ones that have the same color of collar as the rest of the shirt - not the contrasting white collar- if you are playing a working class man - the striped shirts are wonderful
 
Trousers
http://www.gentlemansemporium.com/store/000167.php

Suspenders
http://www.gentlemansemporium.com/store/suspenders.php?from=leftnav
Any of the y-back suspenders - if you have the choice - go with canvas rather than elastic.
 
http://www.gentlemansemporium.com/store/000622.php
Silk puff tie - for those of you not quite comfortable tying your own cravat
 

Shoes
Fugawee
http://www.fugawee.com/
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Fabric and Pattern Selection
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Remember, the years that the Dickens Fair covers are 1842 - 1863, so jewel colors and deep, rich tones are good, and no fluorescent, overwhelming pastels, modern colors & patterns, Plaids and stripes are great, but do not to use lightweight fabrics like madras or seersucker. Wools, gabardine, velvet, brocade are wonderful. If you have any questions after reading the info on the Dickens website, please feel free to contact us at
 
costumes@redbarnproductions.com
 
PLEASE send scanned swatches of fabric, sketches, or snaps of out-of-print patterns for approval or advice. If you have construction questions, those are welcome as well.
 
Another Note:
I have looked at all of the following patterns and approved them.
 
You can also check out the Great pattern Review at the Greater Bay Area Costumers Guild
http://www.gbacg.org/great-pattern-review/index.html
 
 
Past Patterns, Laughing Moon, and Truly Victorian are wonderful pattern companies. Yes they are more expensive, but they are worth every penny!
 
Here are the currently available patterns that pass muster... So many of the good ones are now gone!
 
Simplicity
Ladies
2887    Green dress
3727    Blue plaid jacket & skirt
9769    Corset, chemise & Drawers
 
Men's
2895   Men's Frock Coat, Shirt and Vest
 
Discontinued (patterns still available thru the website or on ebay)
4900     Winter white jacket & skirt
5726     Chemise, corset & petticoat
7215     Chemise and corset
9761     Grey striped jacket & 3-tiered skirt
9764     Hoops
3791     White with black piping
4737     Girls dress and drawers
5442     Women's summer day dress
2960     Lavender dress
7212     Pink plaid dress
3855     Red plaid jacket & shirt
4400     Red plaid civil war day dress
4510     Burgundy day dress with flounced hem
4551     Yellow day dress
5023    Men's Shirt and Trouser
5033    Mid 19th Century Underwear
5035    19th Century Shirt and Trousers
5037    Mid 19th Century Vest, Braces (Suspenders), and Cap
 
 
McCall's
Ladies
5129   Bonnet
 
Men's
4745 (men's uniform pattern... not bad....)
 
Discontinued (patterns still available thru the website or on ebay)
4890    Men's vest - straight bottomed only
5132     Jackets & 2-tiered skirt
4698     Cape
3609    Camisole, pantaloons, corset, & hoops
5131     Girls dress & drawers
 
 
Butterick
Ladies
4210      Hats - view A & B
5265       Short cape, bonnet, and muff - the skirt is not full enough for our time range.
5266       Red coat with black skirt
Men's
3648       Double breasted jacket and pants
 
Discontinued (patterns still available thru the website or on ebay)
4540     Striped dress with front
3993     Man's caped coat ala Sherlock Holmes
4825      Working man's shirt
3721      Vest and cutaway jacket
 
 
Past Patterns:
http://www.pastpatterns.com/1850.html
 
 
Women's
700       1850-1862 Fashionable Skirt
701       1850-1867 Gathered and Fitted Bodices
702       1850s-1863 Dart Fitted Bodices
706       1850s-1860s Drawers.
707       Two Chemises 1850-1870
708       1840's - 1880's Corset
709       1850s-Late 1860s Garibaldi Shirt
800       1840- 1850  Flounced or Single Skirt
801       1840- 1850 Fan Front Bodice.
803       1840s to Early 1850s Round Dress
 
Men's
006       1800-1890s Men's Drawers
007       Two Mid-Nineteenth Century Shirts
710       Trousers 1851-1867 (different sizes)
713       Trousers 1851-1867 (different sizes)
 
 
Folkwear
http://www.folkwear.com/romantic.html

PF0222 Vintage Vests
 

Truly Victorian
http://trulyvictorian.netfirms.com/
 
TV141      Cage Crinoline
TV240     1860's Ball Gown Skirt
TV243     1843 Tablier Skirt
TV244     1859 Double skirt
TV246     1851 Petal Ballgown skirt
TV440     1859 Pagoda Bodice
TV441     1861 Garibaldi Blouse
TV443     1860-61 dress bodices
TV456     1856 Gathered dress
 

Laughing Moon
http://www.lafnmoon.com/
 
Women's
#100     Ladies' Victorian Underwear - 2 Corsets, chemise, and drawers
#111      Ladies Early 1860's Day Dress
#114      Ladies' Round Dresses - 1840's-1852

Men's
#106     California Pants
#107     Men's Victorian & Edwardian Shirt (1845-1920)
#109     Men's Frock Coats & Two Vests (1850 - 1915)
                     REVISED: Now Includes Single Breasted version
 
 
If you have personally built a costume from any of these patterns we would love to hear about it! Please send us your review, including your name & experience level.  Please rate it, on a scale of 1 - 5, 5 being the most difficult. Feel free to include a picture or two if you have them.  The reviews will be posted to tribe in What to wear to Dickens Fair
http://faireapprovablecostume.tribe.net/
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Costume Items for Sale at Workshops
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Once again the Costume Rummage Sale returns to the Dickens workshops!  We invite you to clean your closets of all your Dickens appropriate fabric, excess clothing, patterns, trims and accessories - just imagine what you can buy with the money you make!
 
If you would like to sell your wares,  please contact myself - Liz Martin at  costumes@redbarnproductions.org for specifics and fees.
 
Some of the participating vendors will be:
 
Holzer & Combs Haberdasherie:  Clothing & Accessories for Ladies & Gents
Alan Jeffrey's Fine Gentlemen's' Attire  (Jeffrey Schoenberg)
Joann Peterson from Laughing Moon  Patterns & Sac City Dry Goods
Tara and her bloomers
Annie Lores'  Hair & Hoops
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Summary
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This missive is not meant to be the end all in costuming information. It's just the costume department's way of touching base with all of you and letting you know what our expectations will be come workshops.
I look forward to working with each and every one of you.
 
See you in London!
Liz Martin
costumes@redbarnproductions.com

Quick Links...
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The Great Dickens Fair Website
Dickens Fair Performer Page
Cat's Missive Page
Save the Cow Palace
Contact Information
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For specific questions regarding performing at the Fair or to submit a show proposal please email Cat Taylor
If your group would like to perform at the Fair for just one day (school caroling groups, etc., please email Robert Young
For specific questions regarding vending at the Fair please email Vendors
For specific questions the beverage department please email Beverage
To learn what you can do to help save the Cow Palace, please visit
http://www.savethecowpalace.com
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The Great Dickens Christmas Fair | Red Barn Productions | PO Box 1768 | Novato | CA | 94948